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Directed by:Michael Spierig
Peter Spierig
Produced by:Chris Brown
Sean Furst
Bryan Furst
Written by:Peter Spierig
Michael Spierig
Starring:Ethan Hawke
Willem Dafoe
Claudia Karvan
Sam Neill
Michael Dorman
Isabel Lucas
Music by:Christopher Gordon
Cinematography:Ben Nott
Editing by:Matt Villa
Distributed by:Lionsgate
Release date(s):11 September 2009 (2009-09-11) (TIFF)
8 January 2010
(United States)
4 February 2010 (Australia)
Running time:98 minutes
Country:Australia
United States
Language:English
Budget:$20 million
Gross revenue:$47,839,461
Studio: Lionsgate
In 2019, a pandemic disease has turned most of the world’s population into vampires. As human numbers dwindle, the need for blood becomes desperate. When deprived of blood for extended periods, vampires degenerate into subsiders, aggressive bat-like creatures. Humans are captured and harvested in laboratory farms while scientists research a synthetic blood substitute. The main supplier of blood in the United States is the pharmaceutical company Bromley Marks, run by Charles Bromley (Sam Neill). Edward Dalton (Ethan Hawke) and Chris Caruso (Vince Colosimo) are hematologists working on the blood substitute. Under pressure from Charles, they try multiple versions in a series of failing clinical trials. Edward secretly refuses to drink human blood and faces a strained relationship with his brother, Frankie (Michael Dorman), a human-hunting soldier.
This dystopian horror-thriller aspires to be a vampiric Children of Men, but it bears more similarity to a late-night Skinemax flick.Hollywood’s burgeoning library of vampire flicks gets a bloody new addition this week with Daybreakers, a grisly horror-thriller that adds a dystopian twist to the increasingly well-worn bloodsucker mythos. If Twilight is the Romeo and Juliet of the vampire genre, Daybreakers hopes to be its Children of Men. But hope, as they say, is not a plan. Nor is it a particularly effective filmmaking technique.
Set 10 years in the future, Daybreakers envisions a world in which a nasty plague has turned all but a tiny fraction of the planet’s population into vampires. But instead of descending into the kind of violent anarchy one might expect after such a catastrophic event, folks have adjusted surprisingly well, retrofitting their lives to accommodate their vampiric needs. (Potentially fatal sunlight, for example, is avoided with an elaborate system of underground walkways and computerized sunrise alerts.)


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